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Literature Text
she could be twelve, but for the time that stands between her
and the dates on the calendar, fresh static, precious and
the same,
a breath to hold inside the lining of her skin,
the inconsistency of thought inside her veins,
the clarity in mind, when crushes are the truth
and you can never run from it.
I may never stop writing about you.
lyric-made for definition, (straighter lines,
madeline,) a synthetic melody for every inch of you
that will play the game (so many years too early.)
a decadent decade in either direction,
never faded, but fading - colored ink
on softer hands, smaller wrists:
never a part of her, but someone else inside the fog:
not magnetic, just electrically choreographed
where her fingers traced the skin. circuit me,
circuit you
but the loneliness we were made for
won't leave the capillaries still.
("where'd you go for all those years?" he said;
"I cried," she said. "I cried.")
and the dates on the calendar, fresh static, precious and
the same,
a breath to hold inside the lining of her skin,
the inconsistency of thought inside her veins,
the clarity in mind, when crushes are the truth
and you can never run from it.
I may never stop writing about you.
lyric-made for definition, (straighter lines,
madeline,) a synthetic melody for every inch of you
that will play the game (so many years too early.)
a decadent decade in either direction,
never faded, but fading - colored ink
on softer hands, smaller wrists:
never a part of her, but someone else inside the fog:
not magnetic, just electrically choreographed
where her fingers traced the skin. circuit me,
circuit you
but the loneliness we were made for
won't leave the capillaries still.
("where'd you go for all those years?" he said;
"I cried," she said. "I cried.")
Literature
Burning Out, and Falling Fast
You're sitting in your parents' old corvette (if you had bothered to check, you'd know it was older than you), flicking your eyes between a lighter in one hand, and a box of matches in the other. You forget when fire became such a need, a distraction.
Spencer is right beside you in the car, his fingers stroking idly at your forearm, watching you with hooded green eyes.
"If you want to die," he says, "then just kill yourself, but do it with style."
Pause. Rewind.
You met The Boy Under the Sycamore Tree when you were four. Your mom encouraged you to go see the lonely boy, and when you
Literature
Paper-Thin Promises
the first time I caught sight of your
glistening, marble eyes,
I decided you disgust me.
I hate you the way I hate perfection:
merciless, like the snap of mantis jaws.
every fact of you is pretentious,
held high like you raise a middle finger.
You, the artist, always sculpting things,
tried to squeeze my malleable heart like white clay
and stash it in your pocket to rattle with stones.
paint me an unflinching self portrait, my dear:
this skyscraper of a boy shaking with anticipation
to build and destroy, build and destroy.
you sink in tooth and talon at first mention of beauty,
love-biting Aphrodite as though you were equals.
you're a statu
Literature
Six Word Story
my mother kept smiles in bottles
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something very beautiful behind those glasses,
1729 and smaller infinities than you will ever see;
find faith in learning like I did that there are still places
for us.
"will you try to remember or forget?
what if living just hasn't happened yet?
you could wait till forever for a sign
but what if living is just a state of mind?"
-"Jimmy and Sally", I Fight Dragons
1729 and smaller infinities than you will ever see;
find faith in learning like I did that there are still places
for us.
"will you try to remember or forget?
what if living just hasn't happened yet?
you could wait till forever for a sign
but what if living is just a state of mind?"
-"Jimmy and Sally", I Fight Dragons
© 2014 - 2024 creativelycliche
Comments2
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Damn, this is beautiful. I'm especially fond of the ending: ("where'd you go for all those years?" he said; / "I cried," she said. "I cried.")